Contact Surface

2022

BACK_Y 2F, YIRI ART

Taipei, Taiwan

Solo Exhibition

​

marble, mixed media, spotlight
Dimensions variable ​

​

Sponsor：伊日生活 YIRI LIVING

​

Inspired by observations of life, I reflect on the disconnection between daily living and the forms of architecture. Searching for clarity feels like walking freely on an “infinite” plane, where even in a state of weightlessness, there remains a subtle gravitational pull between objects.

 

The work employs techniques of technological screenshots and cropping, focusing on key moments of interaction between “objects” and actions, provoking a tension between bodily perception and imagination. As we cannot foresee the extent to which objects will be abstracted in the future, the transition from point, line, plane, to volume gradually shifts into a state of disconnection.

 

The “in-between” of endpoints becomes a space of inclusivity.

​​

​

對生活的體察，有感而發，生活與建築物的形式之間存在許多脫節之處，在尋找明確的項目時，就像隨意行走在無「限」且自由的平面，無論是失重狀態，彼此依稀仍受著一絲引力的吸引。

 

從起身，行走，步伐時而輕、時而重、時而快、時而慢，重力使身體擁有了重量的數據，彼此接觸面更有著深刻感觸，所有的接觸也必定留下痕跡。

 

作品中運用如科技的截圖與裁切的呈現手法，僅展現我對與「物」的行為產生的重要節點，使觀看作品時的身體感知與想像經驗產生矛盾。由於我們不知道未來人類會將物件抽離到什麼狀態。從點線面到體的建立，逐漸對於未來的想像，成了抽離體、面、線與點的連接。如我們知道兩點之間的實際距離，但我們不需要實際將兩端點做實線連接，就能知道答案，在端點的「之間」成了更多的包容性空間。